In her performances in The Value Trilogy, Jingyi Wang consciously reworks and performs new versions of existing institutes, achieving new perspectives on familiar subjects. This allows the viewer to gain a deeper understanding of the topic and context being discussed. An artist with such a playful approach must be ready to act in her own unique way from the first second, using the rich experience of cooperation and innovation. We believe that Jingyi Wang will bring very valuable knowledge and energy to the Black Hole Residence, which aims to encourage every participant to explore, rethink, reconstruct, experiment, improvise and create together. Three weeks is not much if you are active, though it is enough to reveal something essential that was previously hidden.

Eliza Soroga’s work is impressive for its high level of interactivity, showcasing the extension of the human body and its tangible relationship with space. Additionally, her work embodies the characteristics of “relational aesthetics,” closely connecting with society.

There were many wonderful artists to choose from but Sandra appealed to us because of her fresh approach to painting, her use of color and the positivity expressed in her work.

We were impressed by Giulia Pellegrini ‘s proposed projects that aim to take full advantage of BigCi location in one of the world’s ecological hotspots. Her preparation program for the BigCi residency includes a 4-month biodiversity course at the European Institute for Innovation and Sustainability (EIIS). Her work at BigCi will have strong educational, interactive, collaborative and community engagement components – all of these resonated with our core values and influenced our choice.

One of the key factors that influenced our decision was the commendable variety of themes you explore in your work together with the experimental approach of the medium used. Your engagement with central social thought-provoking topics demonstrates a depth of creativity and a willingness to challenge conventional boundaries. We are eager to provide an opportunity for artists like yourself who delve into the complexities of these themes, pushing the boundaries of artistic expression.

The Association was impressed by the artist’s multifacetedness. Her ability to act in different fields including photography, video, sculpture, and performance, was an added value to the significance and dedication, perceptible from her work. The artist puts herself at the forefront, using her body as an instrument of expression through movement. The Association is sure that Inès will be able to convey these values during her residency as well.

We have chosen Mao Yo-Wen for the NONAME STUDIO artist residency program in Shanghai based on the remarkable body of work demonstrated in his new media art and mixed media creations. His educational background, holding an M.F.A from the Graduate School of Fine Arts at the National Taiwan University of Arts, reflects a dedication to honing his artistic skills.

Her path of research probing nature, in its contours and from different perspectives, I find is the ‘correct approach to materials and craftsmanship as well. I think she can interpret the characteristics of copper, glass, and fire enamel with her vision to give us a new point of observation.

Ricardo Aleodor Venturi’s work blends an implicit poeticism of an almost literary flavor with cues that refer to typical experiences of Dada culture, such as the use of the ready-made. Note, finally, a direct reference to the work of Apulian artist Pino Pascali and a reworking of the latter’s lesson in a contemporary key.

The gallery chose this artist because of his great technical ability to portray human strength and a sense of contemporary human reflection.

The artist transforms the vision of a Dream World using a very youthful key, also given by the color palette used. This relationship with the end of life conveys a distressing message in an innovative way, taking advantage of good aesthetic research along with a thorough investigation of a past mythology. The new and fresh vision of such profound themes particularly impressed the gallery’s selection team.

With ICE AGE, the artist poses a question to the viewer: are we on a path of evolution or regression? A refrigerator, a symbol of our desire for preservation, hangs lifeless over our heads, representing the looming weight of a present of overconsumption and a future of scarcity. This weight is supported by countless ribbons of an innovative new plastic material, demonstrating that sustainable progress is the only defence against a new ‘ice age’. The installation embodies the essence of Framis Italia, between heritage and innovation: returning to the primordial elements of life – such as water – to solve the problems of the present and preserve the future.

The artist has valued the territory and sustainability in a very sensitive, but at the same time innovative. He was able to transform the trees into themselves, giving them new life and new meaning. The concept of sustainable energy is akin to this type of intervention, promoting the transformation of natural elements into clean energy, therefore the Valdès project has conquered the company visually and emotionally.

L’opera è stata scelta per il suo approccio contemporaneo e per la sua esplorazione della complessa interazione tra indigeneità e immigrazione nel contesto della nostra epoca contemporanea. La pratica di Cuatlacuatl tocca temi e discorsi che sono rilevanti per il KINDL e per la sua attenzione all’arte come spazio comunicativo che consente una visione critica dei fenomeni di un presente globalizzato.

L’artista Yo-Wen Mao, presenta un portfolio molto interessante ed è stata valutata positivamente la sua ricerca artistica che si è concentrata maggiormente su ricordi e luoghi trascurati, dimenticati o volutamente nascosti andandoli a riscoprire grazie alle proprie percezioni, tema molto interessante in vista della prossima Biennale 2025.